April 1, 2020KR Podcast

KR Podcast with Analicia Sotelo

KR fellow Molly McCully Brown converses with poet Analicia Sotelo about poetry’s ability to address the rhetoric of power, produce empathy, and create a space for mystery without dogma.

Analicia Sotelo is the author of Virgin, the inaugural winner of the Jake Adam York Prize, selected by Ross Gay for Milkweed Editions, 2018. She is also the author of the chapbook, Nonstop Godhead, selected by Rigoberto González for a 2016 Poetry Society of America National Chapbook Fellowship. Her poem “I’m Trying to Write a Poem About a Virgin and It’s Awful” was selected for Best New Poets 2015 by Tracy K. Smith. Poems have also appeared in the New Yorker, Boston Review, FIELD, Kenyon Review, New England Review, and Antioch Review. She is the recipient of the 2016 DISQUIET International Literary Prize, a Canto Mundo fellowship, and scholarships from the Community of Writers at Squaw Valley and the Image Text Ithaca Symposium. Analicia holds an MFA in Poetry from the University of Houston and works at The Black Sheep Agency. She serves as an Adroit Journal Summer Mentor, a committee member of the Poison Pen Reading Series, and on the City of Houston’s Millennial Advisory Board.

Molly McCully Brown is the author of the poetry collection The Virginia State Colony For Epileptics and Feebleminded (Persea Books, 2017), which won the 2016 Lexi Rudnitsky First Book Prize and was named a New York Times Critics’ Top Book of 2017, and the forthcoming essay collection Places I’ve Taken my Body. (Persea Books, 2020) With Susannah Nevison, she is also the coauthor of the poetry collection In The Field Between Us (forthcoming from Persea Books, 2020). Brown has been the recipient of the Amy Lowell Poetry Traveling Scholarship, a United States Artists Fellowship, a Civitella Ranieri Foundation Fellowship and the Jeff Baskin Writers Fellowship from the Oxford American magazine. Her poems and essays have appeared or are forthcoming in Paris Review, Tin House, Virginia Quarterly Review, Crazyhorse, the New York Times, Blackbird, and elsewhere. She teaches at Kenyon College, where she is the Kenyon Review Fellow in Poetry.

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