KR OnlineFiction

Zugunruhe

I.
Geese have landed on the neighbors’ lawn. Some pick at the grass, others rest their heads on their breasts. From her window they look alien, with eyes the same black as their feathers and beaks. The neighbor is trying to get them to disperse, approaching those on the outskirts and waving his hands as if he’s treading water. This causes the geese to waddle in a lopsided circle around him. Several of the men perched on the lip of their news vans are entertained by this, one throwing potato chips into the crowd, causing the birds to burrow into their center so feverishly that she worries they’re beginning to eat each other’s feet.

Jane has pulled in a kitchen chair to sit by the window, as she and her husband Luke do not own enough furniture to populate the house. Showering felt like too much, so she has twisted her oily hair beneath one of Luke’s caps. He has asked her not to do this. She tucks her nose into the loose collar of her shirt, pulls the collar further back to look at her swelling stomach. She is just over three months along, the time for fingernails and eyebrows, though Jane struggles to imagine more than a pulsing collection of cells, the bursts of light behind her eyelids.

People continue to gather outside: children in brightly patterned fleeces running up and down driveways, men and women talking over thermoses of coffee. Many are hugging folded posters to their chests or carrying them flat like a painting. Jane does not understand how they all knew the girl was coming home today—as if there is some other way her neighbors communicate, candles in windows or ribbons tied to tree branches. In the rearview mirror of a parked car, a woman in a skirt suit and parka applies lipstick.

The girl had been missing for four months. Plucked from a pharmacy parking lot, she was locked in a basement and given milk, bread, and gardening magazines. She eventually became so thin that she slid through the room’s lone rectangular window. Two boys bicycling home from soccer practice found her by a storm drain, scrubbing her face and hair.

The smattering of reporters has begun to pull cameras from their trucks, hoisting them onto their shoulders. Jane was not surprised to see them here; missing girls were small towns’ patron saints. The girl disappeared two weeks before Jane and Luke moved in with their boxes of chipped dishes and flannel sheets. Jane had been oddly unsurprised by it, used to the crimes of a city, whereas Luke was more troubled, occasionally mentioning old high school classmates as potential suspects.

Policemen start to clear the street, pushing families to the edges of the concrete. Several women lean on the white trellis posts bordering either side of her driveway, horizontal logs for the previous owner’s roses. The posts have begun to rot, the wood splitting and darkening, damp as a marsh.

Jane wraps a scarf around her neck and slips on her old running shoes, their backs matted down to the soles. No one turns as she walks across her lawn toward the edge of the crowd. A police car approaches, followed by the family’s Jeep. All around her people begin to cheer, holding their signs up for the modest motorcade. Most of the posters proclaim ‘Welcome home,’ and some look made by children. One has a princess crown in the corner, another contains no words, just a drawing of a house and a Dalmatian. The procession moves slowly, and people place their hands on the car hoods and roofs. From a block away she can only see outlines in the Jeep front seat, the glass mirroring the tops of nearby trees.

Suddenly, the geese from across the way take flight. For a moment, she cannot distinguish one bird from another, they are a tessellated collection of feathers, angles overlapping angles. The beating of their wings drowns out all other sound, though none of those close to her seem to notice. She holds her hands to her ears and looks up toward the sky as they separate, calling to one another in inelegant honks. Jane envies how little thought they give to leaving, how simple it must be when you body only points in one direction.

The Jeep pulls into the garage. Jane hasn’t been able to see the girl, who looked different in every photo. In her class portrait, she was all glasses and teeth, at summer camp she was loose and freckled, skin and no bones. The two police officers park their car in the driveway and, after some back-and-forth with someone she cannot see, pull the metal garage door shut.

“She could have at least waved,” one of the women says, folding her poster into an uneven square. Most of the crowd begins to disperse, though some families linger, waiting for something. One by one, the rooms of the girl’s house begin to glow behind the blinds. Nearby, two young boys howl like wolves, their fathers encouraging them, laughing.

It’s time to make dinner, Luke will be getting home soon. Jane turns back to find a lone goose on their lawn, pecking at a curl of yellow plastic ribbon, perhaps a decoration from one of the signs. It reminds her that she was going to choose a paint color from the handful of yellow swatches Luke had brought home from the hardware store. “Go on,” she says to the goose, pointing toward the sky. It surrenders the ribbon, busying itself with loose, dry dirt.

 

II.
When Jane was young she and her brother used to play a game: they would not start to clean until they saw their father’s headlights in the driveway. Then, they would race to their bedroom and begin throwing car track and marbles into plastic bins, shoving books back onto shelves. By the time their father found them their carpet would be bare, their breathing heavy. She tells herself this is why her heart beats faster when she hears Luke’s tires roll into the garage, why she feels the urge to run to another room.

“Sweet Jane,” he says, kissing her on the mouth, laying one hand on her stomach. Her hair is wet from the shower, dampening the neck and shoulders of her sweater. He goes to change out of his oxford, throwing his lab coat onto the counter.

She does not enjoy cooking, but finds calm in cutting vegetables and peeling back their skins. “That’s where the nutrients are, you know,” Luke says as he passes, opening the front door to bring in the newspaper. She holds the potato up to the light like a newborn. In six months, she knows, this routine will not be so simple; she will have to learn how to cook with a child, and shower, and walk across the lawn to open the mailbox.

“The yellow of a wet potato is not one you find on a paint swatch,” she says, dropping several into a roasting pan next to the chicken breast. Luke leans over the countertop, reading the headlines. She finds him looking younger lately, though she’s not sure how—maybe his hair has thickened, or maybe it’s because now that they’re in Indiana he wears his college baseball shirts more often, all a bright primary red.

“The girl came home today, right? Did you see her?” he asks, looking up from the paper.

“No. It was so packed, I couldn’t really see anything except the backs of heads. It was odd how many people came out for it, feels like they should have just left the family in peace.”

“I think it’s nice, people want to show support. You’re just not used to small towns, everyone caring about everyone else. When I broke my arm falling off one of the big trees over by the golf course, they brought my entire third grade class to see me.”

“That sounds awful,” she says, imagining children huddled in a claustrophobic hospital room, pressed up against the latticed glass, knocking over jars of cotton balls and tongue depressors.

“It’s not awful, Jane. Getting locked in a basement is awful, having friends visit you in the hospital or show up to welcome you home is not,” he says, turning back to the paper.

She opens her mouth, closes it. Sometimes speaking to him is like lifting a bucket of water to fill a glass. Today it feels too heavy; she’d rather leave it by her feet.

She goes to lie on the couch. The living room is bare except for the sectional and a television. Yesterday she covered both with sheets warm from the dryer, mimicking the draped rooms of a mansion she visited in Lake Geneva as a child. Doesn’t seem safe to me, you never know what could be hiding under those, her mother had whispered. Luke leaves furniture catalogs on her pillow, but she shoves them underneath the bed, forming squat towers of paper.

She picks up a book but soon places it on the carpet beside her. Since finding out she was pregnant she’s had trouble sleeping at night, and her eyelids feel swollen and weighted. Across the street, her neighbor is getting out of his truck, his baseball cap slightly askew, as if someone had knocked the brim with the back of their hand. He kneels by the grass the geese had been digging up hours before, pushing back the spears and shaking his head.

She wakes to Luke gently nudging her shoulder, the air sharp with the smell of burnt fat and skin.

 

III.
That night, she feels her body growing. She lies awake on top of the covers, deep aches blossoming from her stomach and roping around her belly. Sometimes, she senses that Luke is stirring, and turns toward his face, whispering his name. He is most handsome when he is asleep—his eyes, when open, are slightly too large—but when she touches his chin, his bottom lip, he jerks away as if stung. She’s had the same dream for weeks, that she’s on the deck of a ship, unable to move, knowing that if she jumps into the water she’ll sink to the ocean floor like an anchor. That night, she dreams of the girl, sitting at the end of their bed, asking for a glass of milk.

 

IV.
The town’s senior living center has too many rooms. They are mostly empty of residents, and some no longer have furniture. When they first came here to visit his father, she asked Luke if there were more people around when he was growing up, but he couldn’t recall much beyond the town’s capacity to fill football bleachers and the seven-block stretch of the Fourth of July parade.

Luke’s father, Harrison, has a room with one window. He is seated by it when she arrives, in a chair that resembles a middle school desk, all polished chrome with a folding wooden table flipped open over his knees. He is painting with watercolors, as he is most days. A stack of printer paper rests on the window ledge, a plastic color palette and a mug of dirty water to his right. He rocks forward over his current painting, his hand moving ceaselessly from the mug to the palette to the paper, and back again. His Parkinson’s, which makes it difficult for him to remember who or where he is, is why they moved to Indiana.

She pulls over a chair to sit beside him. Luke’s schedule at the pharmacy changes frequently, so these visits on Tuesday and Friday give her week borders, something to place her hand against. For the entire hour she’s there Harrison only looks up at her twice, both quick, noncommittal glances, as if they are just fish swimming beside one another in a pond. He maintains this silence, even when several weeks before she vomited into the plastic trash can next to his bed. Jane appreciates this—she’s tired of questions about the baby, all anyone seems to ask of her. Even before his Parkinson’s worsened, they had little in common beyond Luke, only able to connect through talk of his inability to make pasta or fry an egg.

The painting today is all orange: tangerine, carrot, peach, papaya. Luke always sees figures in the paintings, the roof of a house, or the bend of someone’s nose. As if his father is trying to tell a story, as if he is getting better. She sees only color, darkening and lightening.

Before she leaves, Jane finds a place on the wall for one of his finished paintings, left lying on his bedside table like a dried leaf. In the city she worked in a framing shop and has a special understanding of white space, measuring out the correct distance with the span of her palm. The paint is so thick that some of the ochre rubs onto her thumb; she picks at it while waiting at a red light.

On the way home, she passes a market in the church parking lot. There are folding tables lined with plastic bags of cookies and knitted potholders. She knows that if she passed something like this in the city she would have wandered through, spent far too much on a jar of jam or a bright bushel of peonies. But here it feels too intimate, women calling to other women across the tables, stopping to talk about their children’s sicknesses, their holiday plans. She can easily imagine Luke pushing a stroller along the gray pavement, stopping to taste the samples of cider in small paper cups, asking the seller about the different types of apples.

Pulling into her driveway, she sees the girl’s two sisters batting a tennis ball back and forth on their front lawn, wearing oversized sweatshirts and loose wool caps. All of them have hair like honey, different shades at different times of the day. There is an open carton of orange juice on the path to their front door, baseball bats scattered off to the side. The blinds are drawn in the house’s upper right window, a window Jane has always assumed belongs to the girl’s room, as it had been dark for the past month or so. She has been home several days, but Jane has not seen her outside of her dream. The wind lifts the blinds ever so slightly, revealing a sliver of blue.

One of the girls groans, the tennis ball soaring several feet above the tip of her racket, falling silently into a bramble of dry buckthorn. When Jane gets out of her car, they do not notice.

 

V.
After the girl first went missing, Luke made them visit the family. He thought they should bring something, so Jane bought an uneven blackberry pie from the supermarket, scratching off the price tag with her fingernail. The father answered, a knot of gray curls at the top of his head, and behind him they could hear the two other sisters arguing about a stained sweater. He thanked them for the pie but did not invite them inside. Walking back across the lawn, Jane vomited delicately into a bed of irises. Several weeks later, she found out she was pregnant.

Even though it is in the forties most mornings, Jane begins to take her coffee on her front lawn, bringing a vinyl camping chair out from the garage. It has been a week and she hasn’t seen the girl, though her sisters are constantly in the yard, piling in and out of the family Jeep. She has started to go to her window in the middle of the night, always finding the girl’s bedroom light on, the blinds closed.

As she sits she sees women walking their dogs; middle-aged men out for prework jogs, a deep V of sweat down the neck of their college sweatshirts. She wonders how many can tell she is pregnant. It feels like one day, several weeks ago, her stomach popped like bread in the toaster, but no one outside of the nurses at the senior living center has gotten close enough to comment. Top buttons have begun to unbutton. Her ballet flats cut into her puffed feet. Yesterday she sent her brother a photo of her small bump, and he wrote back It’s three inches tall now. The size of a lime, but even that image, of a small green globe, felt too concrete.

The father and two sisters left well over an hour ago. Jane shakes her coffee grounds onto the grass as another neighbor, an older woman, passes by on a morning stroll. Yesterday, Jane had seen her looking out her kitchen window, talking to no one and nodding, then turning back to the sink.

Luke is still asleep, but she knows he will be up soon. He wants to drive up to the northernmost tip of the town to show her the house they lived in until he was seven, the house with the driveway an acre long. He wants to show the baby, too, he said. He has been doing this the past few weeks, addressing the baby as if it’s already been born. Baby’s first bite of chocolate, baby’s first scary movie, baby’s first trip to the hardware store. There is something sweet to this, but also something odd, as if Jane is no longer a separate entity.

The side door of the girl’s house opens, but only the mother emerges. She is wearing a quilted bathrobe and hisses at a rabbit frozen in one of their flowerbeds. She steps closer and it runs.

When Jane found out she was pregnant, she woke as if to a memory, finding herself holding a pregnancy test in a dry bathtub. In that moment, she could not quite remember how she had gotten there. She knew she had been to a pharmacy, and before that, a gas station bathroom with brown paper towels bunched on the floor like wet leaves. But before then, everything felt clouded, outlines in a fogged mirror.

She wonders if the girl had felt the same way, waking up in a shaft of sunlight, hearing only the sound of footsteps overhead.

 

VI.
Luke’s skin is slightly peeling around his jaw, as if he rubbed flour into his stubble. He puts his hand on her upper thigh and she turns, facing the half-open window. “You know, at the pharmacy some of the men were saying that since that girl went missing, none of their wives wants to have sex,” he says, with a soft laugh. Jane says nothing, still replaying a scene from that afternoon, when Luke had pulled to the side of the road to pick up a dresser, scuffed and hay yellow, for the nursery. She had urged against it, saying that it wouldn’t fit in the car, that it was dirty, that it wasn’t the right height, until finally he pushed it into the ditch. A low groan of pipes swells from the basement. Luke slides his legs under the sheets. She stays on top of the comforter, placing her hands on the bottom of her stomach, which when lying down feels soft, as if nothing is inside but her own muscle and tissue.

 

VII.
Sitting in her lawn chair, Jane sometimes reads old newspapers Luke piles by the backdoor. She learns that the man who took the girl had a small mouth and a fake wedding ring. He cleaned carpets for a living and had been allowed in countless living rooms and church basements. Outside of the initial kidnapping, there is no evidence that he touched her again.

After a week of strained breakfasts and dinners, she promised Luke that today she would buy paint for the nursery, a small offering of which she felt capable. She decides to detour to the man’s house, which Luke once mentioned was right next to the town baseball diamond. Someone from the pharmacy lived several houses down, had seen him cut down a dying elm tree, replace several shingles on his roof, shirtless and sunburned.

Pulling up to the lawn, she is taken by its sparseness. The grass is furred and brown, the windows clean. His neighbors have bicycles and planks of wood propped up against their aluminum siding, a wreath of woven corn husks on the front door. His house looks untouched, no porch swing, no curtains. She cannot even see the curved back of a couch or a recliner in his front window. It is black, empty as a mouth.

The hardware store is across from the school, and near four it is always thick with children buying soda, paying with quarters and wrinkled dollar bills. She had forgotten to bring the paint swatch, and now none of the colors look like the one she chose, an egg yolk yellow. They are all too orange or too green.

“Need help?” a woman asks. She is holding several bottles of wood glue, her hair a blown out blond.

“No, thanks, just looking,” Jane says. The woman nods, touching her shoulder as she passes, the aisle too narrow not to make contact.

Jane wonders if she could work here—roping garden hoses around her upper arm, arranging furniture polish and insect repellant on thin metal shelves. She and that woman would become friends, splitting a beer as they counted bills into piles, neatly placing them in an envelope for the night deposit. When they found out she was pregnant, Luke brought up how cheaply they were living here, how she wouldn’t have to go back to work if she didn’t want to. The nearest framing shop was thirty miles away, family-owned, family-run.

She picks up two buckets of velvet-blue paint from the middle shelf. The man at the register, looking at her stomach, asks if she needs help carrying anything to her car, but she shakes her head.

The highway rolls through the town, bending around farms and the river. As Jane approaches her turn she does not flick on her turn signal, driving past the Methodist church, the house with the red tractor. She drives for over an hour, the sun dipping behind a bank of low clouds. In Alexandria, she stops to fill up the tank. Several men are sitting to the right of the gas station entrance, one is holding the rubber of a car tire. They watch her as she unscrews the gas cap, pushing her hair back from her face. Leaning against the car door, she feels something tickle the wall of her belly, like the flip of a goldfish against its plastic bag. She holds her warm, taut stomach, and begins to see the outlines of a foot, the curve of a shoulder, but she cannot hold on to it, the shape falling through her fingers like water. The pump clicks, and she gets back into the car and drives home.

 

VIII.
In the shower, she cannot ignore her naked body. There is now a thin, brown line that begins at her navel and slopes downward, and the hair on her thighs and forearms is thickening. She runs the bar of soap under her armpits, across her belly, and stands beneath the shower head, closing her eyes. Luke is on the other side of the plastic curtain, brushing his teeth.

“Linda told me that you’ve been sitting on the lawn for the past couple of weeks, in one of our old camping chairs?” he asks, after spitting water into the sink.

He does this often, asking difficult questions when they are not able to make eye contact. He asked about moving to Indiana seconds after turning off the overhead light in their apartment bedroom, when she was still adjusting to the darkness, the ceiling fan moving in borderless sweeps.

“Who’s Linda?” she asks.

“Our neighbor.”

She must be the woman with the short hair, the one who yesterday softly hit her garage door with the tip of her bumper. After reversing several feet, she examined the aluminum, spitting on her fingers and trying to rub off the small, gray scuff mark.

“I like the cold weather, so I’ve been sitting outside. I didn’t think anyone would alert the neighborhood watch.”

“I just think it looks a little odd. She said sometimes you don’t read or anything, that you just sit?”

“Would you rather I just sat in front of the television all day, like everyone else? I don’t have much to do around here. I don’t have a job that my old chemistry teacher set me up with. There’s no place for me to go,” she says, her voice catching, the feeling of a bone in her throat.

“I’m sorry, OK, I’m sorry, I just wanted to make sure you were OK,” Luke says.

He tells her that he is always there if she wants to talk and closes the door quietly behind him. She stays in the shower until the water runs cold and then sits on the lip of the bathtub, the towel hung over her shoulders like a cloak.

The next morning, her brother calls. His wife wants to send them their son’s old newborn clothes, and he cannot remember their address, always imagining they live in Iowa, not Indiana. When he asks, she tells him they do not know the sex of the baby, that Luke wants to keep it a surprise. He reminds her of their great grandmother, who told everyone she was having a boy because of how she would lick the bottom of the salt grinder, because when she tied her wedding ring with a strand of her husband’s hair it did not swing in a circle, it went side-to-side in front of her belly—who then gave birth to twin girls.

They laugh about this, but for the rest of the afternoon Jane thinks of her, covered in sweat on a narrow wooden bed, buckling in pain and blind to what the next day, the next hour, would bring.

 

IX.
She is seated on the floor, her forearms flat against the window ledge, her head resting against them. It is early morning, the sky a hard, dark blue. Jane has not been able to sleep, a deep pain vibrating from her tailbone to her ribcage, her body in another orbit now, bending differently. The light is on in the girl’s room. It has been on all night, even as the rest of the house has been dormant. Jane imagines the girl flat on the carpet or curled beneath a desk, unable to lie in her bed, though she is still shadowlike, coming to Jane like a character in a book, like the baby, still more felt than seen. That morning, Jane watched the girl’s mother walk back and forth across their living room, holding a phone against her cheek and occasionally stopping to look through their bay window, running her finger up along the side of her nose. Her face had the same look of worry that she finds in Luke’s when she turns to him unexpectedly. The sky begins to soften at its edges, birds calling out to one another. At the end of the street, a cat emerges from a hydrangea bush, padding through the grass as if it is the world’s only living thing.

 

X.
Today, Harrison is painting in greens. Greens that remind Jane of illness, acrid and sour. That morning she had slept in, and as she and Luke pulled out onto the street she found the girl’s house still, the driveway bare as a field.

Luke cannot sit when they are in his father’s room. He is pulling sheets off the bed, handing them to an orderly in the hallway, asking that they be cleaned because they smell like mildew and stale water. He looks at the paintings, leans against the window ledge, goes to find a nurse to ask if his father is eating enough or if they are taking him outside every afternoon because he looks pale, paler than he did the week before.

When they first came in, Luke brought Jane before Harrison like a horse, having her turn to the side so his father could see how the baby was growing. Harrison looked up, briefly, in between dipping his brush in the water.

When Luke returns Jane decides to sit by the door, placing her elbow on a side table that she opened several weeks ago, finding nothing in its drawer but loose screws and a pencil mottled with teeth marks. She closes her eyes, the room drowsy and quiet. All she can hear is water moving in a glass, bristles against paper, and she feels herself pulled by the tide of sleep. As she slips under, she finds herself in a nursery, sitting next to their daughter at a small wooden table, watching her paint. Her daughter’s face is turned from her, but she can clearly see the cup of her ear. Jane reaches out and runs her fingers along its downy curve, warm with sunlight. She wakes to find the baby turning in her belly, her stomach lifting as if they were coasting over the tip of a hill.

“Jane, come look,” Luke says. He is looking at his father’s painting, waving her over.

“He’s painting the day we went to Marquette Bay, I think, the place we used to meet up with my cousins. There was a lighthouse and this sandy street we would walk down to buy ice cream. Do you see, here, this is the shoreline?” he says, pointing to a line of algae green.

“Yes, I see it,” Jane says, though all she sees is her daughter’s ear, which she holds in her hands like a shell, still able to feel its edges and dips.

“We’ll all go there, together, so you both can see,” Luke says.

When they say good-bye, Luke kisses the side of his father’s head. Jane touches his upper arm and says she’ll see him soon, that she’ll be back on Tuesday. She thinks Harrison nods, but it might just be a deeper tremor.

In the car, they are quiet, the only sound the clicking of a turn signal. In college, Luke used to make money driving other students to the airport. He asked her once to come along for company as he ferried a girl from their history class whose father had had a heart attack. He knew the man at the town gas station by name, pointed out towns with good sports teams, towns that were famous for their diner or corn maze. She was comforted by how well he drove, even in the sloping dark of the country back roads. In the backseat the girl said nothing, soon falling asleep against a half-open window, her hair pulled loose by the wind.

“Aw, come on,” Luke says as the light darkens to red. On the right, she sees the back of the family’s Jeep in a parking lot, the Notre Dame bumper sticker as familiar as a constellation. She sees them walking across the pavement, the mother in front with the two sisters, searching through her purse. Behind them, the father stands tall, his arm on the shoulder of the girl.

“Stop, stop, please pull into that lot,” Jane says, and after a moment of confusion, Luke turns. He asks what they are doing, but she doesn’t respond, unlatching her seatbelt as they pull into a parking spot.

The family stands in the yellow light of the restaurant’s main entrance, a wide hallway with cedar walls. The girls are all speaking to one another now, huddled closer to the door. One of the younger sisters is distracted by a thread on her sweatshirt, twisting it around her forefinger and snapping it clean. The girl is wearing a thick flannel shirt, its sleeves falling past her fingers, and loose jeans that bag around her upper knees. She is far prettier than the photographs, no glasses, no too-large teeth, but is also unremarkable, a teenager Jane would not have noticed at the grocery store. The youngest sister touches one of the girl’s earlobes, admiring an earring, and Jane thinks of her daughter’s ear, small as a seed inside her, as real and fragile as the girl being led by her mother to one of the restaurant’s dark, wooden booths.

“That was the girl that got abducted, wasn’t it?” Luke asks, as she slides back into her car seat.

She nods, and asks him to take them home.

 

Tomorrow, she will drive down their street alone. She will find her blue sweater in the hamper, and even though it is ripe with the scent of her skin, she will place it in the bag with her underwear, her vitamins, the small porcelain cat she stole from her grandmother’s house. She will call Luke later, when she is as far as Lafayette, she tells herself that night as she lies in bed next to him, holding her stomach as if it might crack like an egg. She will rinse out her water glass and clip the bag of coffee shut. As she gets in the driver’s seat, she will see that the girl’s curtains are pulled back, that they frame the window like the strands of brown hair that were parted to the sides of her open face. She will drive past the hospital she will no longer visit and the nursery where she once purchased fertilizer, the bags still slumped against their back porch, unopened, and when she pauses at the stoplight on Greenway she will close her eyes and see the geese lifting up from the grass in a great wave.

Rowan Beaird
Rowan Beaird's work has appeared or is forthcoming in American Literary Review, Puerto del Sol, and Little Fiction, among others. She is the recipient of Ploughshares’ 2017 Emerging Writer’s Contest for Fiction, and her stories have been nominated for a Pushcart. She received her BA from Kenyon College, where she worked as an associate at the Kenyon Review. You can read more about her work at rowanbeaird.com.