September 17, 2014KR OnlinePoetry

Giacometti: The Soul; For the Phosphorous Heart

GIACOMETTI:      The Soul

stretched on a wire. the god
image of brutality
made intimate. maleable, torn with insensitive
hands
out from the protection of flesh
and still living—the individual

bloody heart
that breathes

he still stands;
the face looks outward. mirror
within a mirror, the eyes

uprooted bones, that walk outward
from the burning bush—heart
of the tree
where all the rotten and soft
decay
has disintegrated, washed
in salt to this point of a hydrate
endurance (were you the man
i met at the Luxemburg gardens) lonely
and wanting to come home.
did you take me to the place where

the poor eat. drinking with the eyes
a salad of grass, entrails of
nourishment. there were no dogs left;
animals
the dehydrated flesh
clings to the bone, cries out
on a dark night
on a dark street
(it is simple to die) complexity
we wait for the healing   hot flames
of feeling
to come back to the earth; the men
of straw—are working in the fields

cast in bronze
eternal, the army moves


thorny rose, the earth a psychic
fruit—in observation of the brute
we see ourselves
in multiple, intimate
association  of the mind, body
that absorbs moisture. a recognition

of similiarity, preposterous
embellishment.   in a destroyed world
music is lasting:     i paid a street violinist
ten franks
to play the Massanet Elegy
(the eyes of the saint are closed in
prayer)  instrument of strings
re-sounding
body sinuos,  the dead eyes of the Saint

an eliptic figure
holding his head in his hands
.

For the Phosphorous Heart

the wild wild bird

            flew
            into tangle of honeysuckle, walked
            with folded wing
            on ancient vine-runners

            eating seed, absorbed
            the late season liquor . .
                          raised

            to fly
            from inner box, dead creepers
            strong as wire
                         he flew, he flew
            against the absorbent light

            not closing his wings! how
            can one of flight
            bend low—step
            through narrow passage

            thin as a hand? the hand
            doubles
            in fright and fury; and pinions
            that bore him

            up—up, above trees and fence
            widened
            to keep him, keep

            his single struggle
            vivid as the lark. head high
            he flew and flew
            made fast as a large leaf dying

Note

These poems were selected and transcribed from brigham’s private archive in Las Cruces, New Mexico, by Robert Snyderman, a poet, educator, and independent scholar. The poems appear as typographically accurate to the originals as possible, and were taken from both uncollected and collected contexts.

besmilr brigham (1913-2000), raised by farmers in the Rio Grande Valley of Texas, began writing seriously in Arkadelphia, Arkansas, traveled alone by freighter in 1948 to charred Europe, from 1950 to the mid 70's with daughter and husband traveled by car to and lived in Nicaragua, Nova Scotia, Alaska, Honduras, Guatemala, Mexico, returning in intervals to the U.S. to work, writing relentlessly "putting away manuscripts" on her own terms, is the author of Agony Dance: Death of the Dancing Dolls (Prensa De Lagar 1969), heaved from the earth (Knopf 1972), and Run Through Rock edited by C.D. Wright (Lost Roads 2000). She died in New Mexico.